M.A.N.D.Y. join the elite roster of Mix Collection artists as they make their Renaissance debut…

Whether it’s DJing, heading-up the respected Get Physical label, producing or compiling mix albums, there’s no doubt Patrick and Philipp – aka M.A.N.D.Y. –
are amongst the most exciting pioneers of electronic music on the planet. Their releases and club appearances are met with eager anticipation, founded on a reputation for delivering quality, eclecticism and the damn right weird and wonderful! Now, as the pair join forces with Renaissance for the first time, that trend is set to continue and ascend…

M.A.N.D.Y.’s eagerly anticipated ‘Mix Collection’ does exactly what it says on the tin. It’s a beautiful hybrid that flawlessly blends and balances tempos, genres, moods and emotion. A feat that’s made all the more remarkable when you consider Patrick and Phillip have managed to include a whopping 44 tracks, which they further elaborate on, “Eclecticism has always been the key to our approach in selecting tracks for our compilations and the broad brief of ‘The Mix Collection’ enabled us to carry on this way. It’s never an easy process and, as with all our mix comps, this was chosen, edited and produced with blood, sweat, tears as well as a lot of fun and love!”

‘Upside Down‘ (Disc One) kicks things off and, although it may be the more relaxed mix of the pair, remains true to its audio rollercoaster promise. Be it the ambient intro of Shed and dOP; their own ‘Full Off…’ (a production recorded exclusively for the comp’); the impeccably sequenced mid-section that fuses Lopazz, Sebastien Tellier and Bronnt Industries, or the finale of Schneider TM & Kpt-michi-gan’s Smiths cover – ‘The Light 3000′, this is a body of music that delivers throughout its 70 minutes.

Not to be outdone, ‘Downside Up‘ (Disc 2) puts on its dancing shoes, snatches the baton and picks-up the pace, transporting the listener further into M.A.N.D.Y.’s unique musical world. It’s a constantly shifting, yet perfectly poised landscape crafted out of the 27 records that comprise the disc. Key names such as Peter Kruder, Chromeo, DJ Koze, Martin Buttrich, Felix Da Housecat and Ben Watt rub shoulders before giving way to the inspired inclusion of seminal Miami Bass classic, the aptly titled ‘Bass Generator’. Keen to underline the entire album’s cohesive diversity, things come to fitting close with The Black Dog giving way to the cheeky use of the piano riff from Radio Slave’s take on Hell and P Diddy’s ‘The DJ’ and bonus track ‘What It’s For’ by friends and Get Physical regulars, The Junior Boys.

Utter brilliance.